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Cover thumbnail for Let Yourself Continue Let Yourself Continue

August 18, 2020, is the centennial of the ratification of the 19th Amendment to the United States Constitution. In commemoration of this event, the Grinnell College Museum of Art will present work by more than 50 women artists represented in the Museum of Art’s collection.

The 19th Amendment states, in part, “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any state on account of sex." It is perhaps ironic to celebrate such an achievement with this exhibition, the contents of which are abridged solely on account of sex, and we present it fully cognizant of this irony, in contrast to the countless exhibitions over the millennia that have been abridged of women participants without such awareness, or so much as a second thought.

The fight for women’s suffrage was arduous and long, and as we see in almost every struggle — particularly those that characterize the 20th century — a total victory, which may first appear clear and which gains its annual commemoration on our calendar, is rarely fully won. The common response is exclamatory, a call to arms: “The fight’s not over!” “We’ve still so far to go!” and “We’re not done yet!”

All these battle cries are laudable and true, but we live in perilous times. Some of us are still on the ramparts, while others are fighted out. The title of the exhibition comes from a New York Times interview, published on June 11, of the artist Faith Ringgold, who is one of the artists on view in this exhibition. 89 years old, widowed in February, then isolated in her New Jersey home for months by the pandemic, she speaks of her trouble finding footing and her voice amidst every day’s new bad news. “‘I’m just keeping my eyes wide open so I can find a point of view on all this,’ she said with a sigh. ‘I’ve been waiting for the inspiration that can help me inspire others.’”

One way forward is found in her own words: “let yourself continue.” In today’s onslaught of chaos, there is the epic work — for security, equality and justice — and then there is the daily work: staying employed, staying engaged, staying well. The artists presented in this exhibition are not grouped to reflect complementary styles, unified pursuits, or collective actions, but to emphasize the individual voice of each as an artist. For the sake of visual harmony, and perhaps some discoverable affinities, however, we’ve arranged them according to a few themes, that may say something as well about the shape of our ever growing collection.

A public health crisis; an economic crisis; a social justice crisis, and looming ahead, perhaps an election crisis, in which the turnout of women voters will be more critical than at any time in the past one hundred years, have perhaps added new urgency, and not a little uncertainty, to how to negotiate one’s body’s new way in the world, and even in one’s own space. This is precisely the dilemma expressed by Faith Ringgold in the interview that inspired this exhibition. The dilemma is also intrinsic to the most powerful impulse in art making: reckoning with the world in hopes of divining a productive and meaningful, and relatable, relationship to it.

It is hoped that this virtual exhibition, which can be perused at will on the Grinnell College Museum of Art’s website, will pique our audience’s interest in further exploring the Museum’s online database. We are constantly bringing more of the collection online, and hope to use this exhibition as an opportunity to fill out the story of each object via student, faculty and staff research.
Showing 1 to 12 of 91 Records


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Love Laughs

Jane Hammond (aka Jane R. Hammond)
Collage, lithograph, hand-coloring
21st Century United States Print

Fat Man and Little Boy

Frances Jetter
Linocut
21st Century American Print

Beim Dengeln

Käthe Kollwitz
Etching
20th Century Germany Print

Tod mit Frau im Schoss

Käthe Kollwitz
Woodcut
20th Century Germany Print

Die Freiwilligen

Käthe Kollwitz
Woodcut
20th Century German Print

Nameless (hands)

Deborah Dancy (aka Deborah Muirhead)
Sarah Amos printer
Intaglio, collagraph
21st Century American

Untitled

Deborah Dancy (aka Deborah Muirhead)
Sarah Amos printer
Intaglio, collagraph
21st Century American

Crossword III

Linda Schwarz
Solar plate etching, collagraph, etching, hand coloring
21st Century German

Showing 1 to 12 of 91 Records


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