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A black male drawn on / trapped behind news thought fit to print confronts, rather than confirms, Euro-American definitions of black masculinity. Blackness is a white invention, therefore the satisfaction of recognition and reciprocity will remain absent in the presence of Racism, a violent and lethal disease that disproportionately still affects Black people. NOW: 2019 Standing in front of “Vanilla Nightmare #14”, we are ALL viewers forced to confront the persistence of deeply rooted racism and fear of the Other. Here stands a terrorized Black man with bulging eye and twisted mouth*, hands raised against a wall / fingers around bars, the single eye refusing the gaze of the viewer. To survive and surpass the resurgence of racism and public articulation of hate, we should heed a caution from Adrian Piper: “If you must think about your racialized experiences, then steel yourself psychologically and emotionally, write them up, and put them out in whatever form circumstances demand which relieves you of the burden of having to carry these experiences around in your mind and minimizes the psychological and spiritual damage they do to you.” * Abel Meeropol, “Strange Fruit” (1937) -- Katya Gibel Mevorach, Professor, American Studies & Anthropology, Grinnell College ", "Dedication" : "Marie-Louise and Samuel R. 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In later life, Cleaver would renounce his radical past and follow a winding path toward spiritual and political fulfillment that included conversion to Mormonism and becoming an active Republican. Kathleen, meanwhile, went back to school, completing undergraduate and law degrees at Yale University. The Cleavers were divorced in 1987 and Eldridge Cleaver died in 1998. Kathleen Cleaver continues to teach, write, and lecture on the Civil Rights Movement. 14 x 11 inches ", "Dedication" : "Marie-Louise and Samuel R. 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Portraiture is not solely about appearance or identity, but one’s power over appearance and identity, and how that power is deployed. The fake mustache is a talisman of identity, performance, gender, gender stereotype, and an accessory to one’s existence incognito. 61 x 31 in. (154.94 x 78.74 cm) sheet 60 x 30 in. (152.4 x 76.2 cm) image 61 1/8 x 31 1/8 x 2 in. (155.26 x 79.06 x 5.08 cm) frame ", "Dedication" : "Marie-Louise and Samuel R. 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